Process

The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.

Card
1

Card

A grey card before anyone books a light.

Bench
2

Bench

Macro first, while hands are steady.

Window
3

Window

Portraits in the same white as the metal.

Pass
4

Pass

A second pair of eyes on the file.

Vitrine
5

Vitrine

Print, web and a silent loop.