1
Card
A grey card before anyone books a light.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
A grey card before anyone books a light.
Macro first, while hands are steady.
Portraits in the same white as the metal.
A second pair of eyes on the file.
Print, web and a silent loop.