Interviews get a boom and a lav, not a camera mic ‘for safety’. Safety is a second recorder, not a worse microphone.
Wild tracks and room tone are shot even when the day is stills-heavy. A future cutdown will need them.
Music is licensed for the territories in the contract. A temp track that cannot be bought is not a creative direction; it is a trap.
Mix happens with picture, on speakers that resemble the client’s world , a laptop and a television, not only a suite.
We deliver stems when versions will be recut. A printed mix alone is how a six-month-later social cut sounds like a different film.
Seacount Film sits on Rue de la Corraterie, a quiet room off the lake. Clients are watch ateliers, the institutions that borrow objects, and the hotels that need a plain record of a hall. Days are short and plotted. Macro on the bench in the morning, a portrait by the lake window after lunch, grade before the courier.